SlideShare una empresa de Scribd logo
1 de 42
PHONOLOGY


      Nabaz N. Jabbar
      English Language Teaching
      Near East University
      17th Nov 2011
What is Phonology


• The study of the structure and systematic
  patterns of sounds in human language.
Three major units of phonological analysis:-


1. Segments: Individual speech sounds.
2. Syllables: units of linguistic structure that
   consists of a syllabic element and any
   segments associated with it.
3. Features: units of phonological structure that
   make up segments.
Minimal Pairs

• Minimal Pairs: A basic test for a sound's
  distinctiveness. It consists of two forms
  with distinct meaning that differ by only
  one segment found in the same position in
  each form.
e.g. [f] and [v] in fat and vat
SEGMENTS IN CONTRAST


• Segments are said to contrast (or to be
  distinctive or be in opposition).

e.g. The segment [s] and [z] contrast in the
 word sip and zip
Vowels contrast in English

• English vowels are distinctive, so they
  contrast.

e.g. The difference between [ɪ] and [e] in
  [bit] and [bet]
LANGUAGE-SPECIFIC CONTRAST
• Sounds that are distinctive in one language
  will not necessarily be distinctive in another.

e.g. In English there is crucial difference
  between these two vowels: [e] and [æ]

• But in Turkish this difference in pronunciation
  is not distinctive.

e.g. The word for 'I' is [Ben] or [Bæn]
• Conversely, sounds that do not contrast in
  English such as long and short vowels, may
  be distinctive in another language, like
  Japanese and Finnish.


• e.g. [tori] ‘bird’   [tori:] ‘shrine gate’

• e.g. [tuli] ‘fire’   [tu:li] ‘wind’
Phonetically conditioned variation:

• It occurs most often among phonetically
  similar segments and conditioned by the
  phonetic context in which the segment are
  found.
COMPLEMENTARY DISTRIBUTION
• Variants of a phoneme that never occur in
  the same phonetic environment*.

e.g. voiced [l] in slip [slɪp]
   voiceless [l] in clap [klæp]

*Environment is the phonetic context in which a
   sound occurs.
Sounds in contrast
• Phoneme: The phonological unit of speech
  that differentiates or extinguishes meaning.

• Phone: Any speech sound in human language.

• Allophones: Variants of a phoneme, usually in
  complementary distribution and Phonetically
  similar.
Some other considerations
• Some sounds do not contrast in initial
  position:
e.g. [h] and [ŋ] in [həʊp] 'hope' and
  [ŋəʊp] doesn't exist.

• Also they do not contrast in final position:
e.g. [sɪŋ] 'sing' and [sɪh] doesn't exist
Free Variation

• When sounds do not contrast and can
  occur in identical phonetic environments
  and are phonetically similar.


e.g. [p] in stop [stɒp!] , [stɒp ̚] and [stɒ?p]
THE REALITY OF PHONEMES

• Speakers of English often have a hard time
   hearing the phonetic difference between the
   voiced and voiceless allophones of /l/,
   because the difference is not contrastive, but
   it's easy to contrast between /l/ and /r/ as in
   lift and rift
• But, speakers of other languages like Japanese
  sometimes find it difficult to distinguish
  between them, because in their language /l/
  and /r/ are allophones of the same phoneme.

e.g. collect & correct
CLASSES AND GENERALIZATION IN
PHONOLOGY
• Liquid and glide phonemes have (at least) two

   allophones, one voiced and the other voiceless.

• Liquids and glides have voiceless allophones after

   voiceless stops, and voiced allophones elsewhere.

e.g. Liquid /r/

• voiced → green [gri:n] , voiceless → creep [kr̥i:p]

    Glide /w/ and /j/

• voiced → beauty [bju:tɪ] , voiceless → cute [kj̥u:t]
English vowels and glides:

 Liaison (Linking):
• British English involve linking where having
  two distinct vowel phonemes next to each
  other tends to be avoided, so one of the
  approximants /r/, /j/ or /w/ is inserted to link
  the vowels.
• If the first vowel is not high, a linking r is used.

e.g. Star [sta:] starring [sta:rɪŋ] star in [sta:r
  ɪn]



• If the vowel is high, a glide is inserted between
  the vowels.

e.g. See [si:], seeing [si:jɪŋ], see in [si: jɪn]

 Show [ʃəʊ], showing [ʃəʊwɪŋ], show it [ʃəʊ
Intrusive r.
• is used productively in present-day English
  even in contrasts, it's obvious in borrowed and
  foreign words.

e.g. [emər ætkɪnz]       'Emma Atkins'

   [əkrɑ:r ən dækɑ:]     'Accra and Dakar'
TENSE AND LAX VOWELS
• Tense vowel: A vowel that is made with a
  placement of the tongue that result in
  relatively the greater vocal tract
  constriction.
e.g. Heat and boat
• Lax vowel: A vowel that is made with a
  placement of the tongue that result in
  relatively less vocal tract constriction.
e.g. Hit and but
 *There's no possibility of contrast between
  tense and lax vowels.
The distribution of tense & lax vowels
• Closed stressed syllables: Any kind of vowel
  except schwa, i.e. one that ends in a consonant.
e.g. Seek /i:/

• Open stressed syllables: Any tense vowels are
  allowed, i.e. ones that end in a vowel.
e.g. Raw /ɔ:/

• Syllables closed by [ŋ]: Any lax vowels except [ə]
e.g. Bunk /ʌ/
LANGUAGE-SPECIFIC VARIATION IN
ALLOPHONIC NASALIZATION

• It's not unusual for nasal vowel allophones to occur
  near a nasal consonant, but the patterning may vary
  from language to language.
o Vowels are nasal in Scots Gaelic when
  preceded or followed by a nasal consonant.
       ] 'about'
      n] 'secret‘

o In Malay, all vowels and glides following a
  nasal consonant and not separated from it by
  a non-nasal consonant are nasalized.
e.g. [mãkan] 'eat'
    [rumãh]      'house'
LANGUAGE-SPECIFIC VARIATION IN
ALLOPHONIC DISTRIBUTION
Phonemic contrast in one language may not prove to
 be a phonemic contrast in another.

 In English, aspirated and unaspirated stops are
  allophonic without contrasting form.
e.g. [pɪk] and [phɪk]

 But in Khmer (Cambodian), unaspirated and
  aspirated voiceless stops contrast.
e.g. [pɔ:ŋ] 'to wish'   [phɔ:ŋ] 'also'.
Defining the Syllable:

• Syllable: A unit of linguistic structure that
  consists of a syllabic element and any
  segments that are associated with it.
Four subsyllabic units of internal structure
 Nucleus (N): A vocalic element that forms the core
    of a syllable.
e.g. [æ] in Patrick
 Coda (C): The elements that follow the nucleus in
    the same syllable.
e.g. [nt] in Sprint
 Rhyme (R): The nucleus and coda of a syllable.
e.g. [u:] in Root
 Onset (O): The longest sequence of consonants to
    the left of each nucleus.
e.g. [sl] from [slɪm] in slim
ONSET CONSTRAINTS PHONOTACTICS:

• The set of constraints on how sequences of
  segments pattern.

e.g. The Russion word vbrog [fbrɔk]

    pronounced as [fəbrɔk] or [prɔk] in English.
SOME ENGLISH ONSETS:
• There are syllable-initial consonant sequences
  contain a voiceless stop consonant.

• e.g. [pl] in please

• And word-initial three-consonant cluster, which the
  first is always s, the second is always voiceless stop
  and the third is either a liquid or a glide.

• e.g. [spr] in spring
Accidental and systematic gaps

• Accidental gaps:Non-occuring but possible
  forms of a language.
e.g. Blork

• Systematic gaps: Gaps in the occuring syllable
  structure of a language that result from the
  exclution of certain sequences.
e.g. pfordv
Language-specific phonotactics
 Some onset sequences can be found in many
  languages while some onset sequences are rarely if
  ever found. So, some onset sequences appear to
  exist as part of human linguistic capacity.

e.g. pl as in play   and lp as in help

 Each language has it’s own set of restrictions on the
  phonological shapes of it’s syllable constituents.

e.g. fsl as in fslux ‘aloud’ which is not found in English.
Some further syllabification


• Turkish language has different syllable structure
  constraints than English language.

e.g. alt, alta and altta
Syllabic phonology


• Syllables are units of phonological analysis because
  they affect the distribution of allophonic features.

 Aspiration

 Ambisyllabicity

 Vowels lengthen
ASPIRATION IN ENGLISH


• Articulation accompanied by the release of air, that
  is heard after the release of certain stops in English.
e.g. the first sound of /tɒp/


• English voiceless stops are aspirated when initial in a
  stressed syllable.
Ambisyllabicity


o The simultaneous presence of a segment in two
  adjoining syllables.

e.g. attack /əth k/
PHONETIC LENGTH IN ENGLISH LANGUAGE
• English vowels are phonetically somehow
  shorter than they would normally be, when
  they occur before voiceless consonants, before
  sonorant consonants and in word-final position
e.g. Bad [bǣd]
• Conversely, the vowels are relatively longer
  than they would normally be, when they occur
  before voiced non-sonorant consonants.
e.g. Revise [rɪ.vaɪz]
Syllables and stress in English
• Penultimate: The syllable before the very last
  one in a word, i.e. next to the last syllable.
• Antepenultimate: Stressed on the third syllable
  from the end of the word.

So, English nouns are stressed on the
  penultimate syllable when it’s Heavy;
  otherwise, they are stressed on the
  antepenultimate.
e.g. C binet
The features of English

1. Major class features:

• Consonantal [p b s z ʃ ʒ tʃ dʒ]

• Syllabic [i: e ɑ: ɭ̩ r̩ m n]

• Sonorant: only the singables: vowells, glides,
  liquids, and nasals.
The features of English
2. Laryngeal features:

• Voice: according to voiced and voiceless
  sounds.

• Spread glottis: distinguishes unaspirated from
  aspirated consonants.

• Constricted glottis: In English there's only the
  glottis stop [?]
The features of English
3. Place features:

• Labial: [p] [b] [f] [v] [w]

• Round: Sounds that made with the lips rounded

• Coronal: [t] [d] [θ] [ð] [s] [z] [tʃ] [dʒ] [n] [ɭ ] [r]

• Anterior: [p] [b] [t] [d] [s] [z] [θ] [ð]

• Strident: The noisy fricatives and affricates only.
  [s] [z] [ʃ] [ʒ] [tʃ] and [dʒ]
The features of English
4. Dorsal features:

• High: Sound made with the tongue raised.

• Low: Vowels made with the tongue lowered.

• Back: Any sound articulated behind the palatal
  region of the oral cavity.

• Tense: Follows the tense and lax vowels.

• Reduced: Only the schwa [ə]
The features of English
5. Manner features:

• Nasal: Any sound made with the velum
  lowered.

• Continuant: Vowels, fricatives, glides and
  liquids.

• Lateral: [ɭ ]

• Delayed release: Only affricate sounds [tʃ] [dʒ]
Thank You
• My only reference was the book of:
 Contemporary Linguistics
o By William O’Grady
     Michael Dobrovolsky
     Francis Katamba

Más contenido relacionado

La actualidad más candente

La actualidad más candente (20)

Allophone presentation
Allophone presentationAllophone presentation
Allophone presentation
 
Phonology: The Sound Patterns of Language
Phonology: The Sound Patterns of LanguagePhonology: The Sound Patterns of Language
Phonology: The Sound Patterns of Language
 
Phonology
PhonologyPhonology
Phonology
 
The Sounds of Language by George Yule
The Sounds of Language by George YuleThe Sounds of Language by George Yule
The Sounds of Language by George Yule
 
Ling101 phonological rules
Ling101 phonological rulesLing101 phonological rules
Ling101 phonological rules
 
Phonology
Phonology Phonology
Phonology
 
Branches of phonetics
Branches of phoneticsBranches of phonetics
Branches of phonetics
 
Phonological Processes Slides
Phonological Processes SlidesPhonological Processes Slides
Phonological Processes Slides
 
Vowels
VowelsVowels
Vowels
 
Phonetic and phonology pp2
Phonetic and phonology pp2Phonetic and phonology pp2
Phonetic and phonology pp2
 
Phonemes and allophones
Phonemes and allophonesPhonemes and allophones
Phonemes and allophones
 
phonemes
 phonemes  phonemes
phonemes
 
Chapter # 6- Sound patterns of language
Chapter # 6- Sound patterns of languageChapter # 6- Sound patterns of language
Chapter # 6- Sound patterns of language
 
GENERAL CLASSIFICATION OF VOWELS
GENERAL CLASSIFICATION OF VOWELSGENERAL CLASSIFICATION OF VOWELS
GENERAL CLASSIFICATION OF VOWELS
 
The Sounds of Language
The Sounds of LanguageThe Sounds of Language
The Sounds of Language
 
Place of articulation
Place of articulationPlace of articulation
Place of articulation
 
Phonology
PhonologyPhonology
Phonology
 
The sounds of language
The sounds of languageThe sounds of language
The sounds of language
 
Manner of articulation
Manner of articulationManner of articulation
Manner of articulation
 
Phonetics
PhoneticsPhonetics
Phonetics
 

Similar a Phonology

Phonetics and phonology
Phonetics and phonologyPhonetics and phonology
Phonetics and phonologyChocknews
 
Intro to Linguistic.pptx
Intro to Linguistic.pptxIntro to Linguistic.pptx
Intro to Linguistic.pptxErvinaNur1
 
Phonology: Phones, Syllables & Phonotactics
Phonology: Phones, Syllables & PhonotacticsPhonology: Phones, Syllables & Phonotactics
Phonology: Phones, Syllables & PhonotacticsChad Eller
 
Advanced Phonology
Advanced PhonologyAdvanced Phonology
Advanced PhonologyAdil Babiker
 
Phonetics and Phonology
Phonetics and PhonologyPhonetics and Phonology
Phonetics and PhonologyJane Keeler
 
vowel sound
vowel soundvowel sound
vowel soundOh Ha Ni
 
Phonetics and phonology week 6
Phonetics and phonology week 6Phonetics and phonology week 6
Phonetics and phonology week 6zhian fadhil
 
PPT PHONETICS(Place of Articulation).pptx
PPT PHONETICS(Place of Articulation).pptxPPT PHONETICS(Place of Articulation).pptx
PPT PHONETICS(Place of Articulation).pptxLenlyPMoya
 
Consonant g1a
Consonant g1aConsonant g1a
Consonant g1abolide162
 
Presentation (1)
Presentation (1) Presentation (1)
Presentation (1) NoufAj1
 
ELE 11 LESSON 2.pptx
ELE 11 LESSON 2.pptxELE 11 LESSON 2.pptx
ELE 11 LESSON 2.pptxJrJackSauping
 

Similar a Phonology (20)

Phonetics and phonology
Phonetics and phonologyPhonetics and phonology
Phonetics and phonology
 
Sound Structure
Sound StructureSound Structure
Sound Structure
 
Intro to Linguistic.pptx
Intro to Linguistic.pptxIntro to Linguistic.pptx
Intro to Linguistic.pptx
 
Phonology: Phones, Syllables & Phonotactics
Phonology: Phones, Syllables & PhonotacticsPhonology: Phones, Syllables & Phonotactics
Phonology: Phones, Syllables & Phonotactics
 
Phonology
PhonologyPhonology
Phonology
 
Advanced Phonology
Advanced PhonologyAdvanced Phonology
Advanced Phonology
 
Phonetics and Phonology
Phonetics and PhonologyPhonetics and Phonology
Phonetics and Phonology
 
phonology.ppt.pdf
phonology.ppt.pdfphonology.ppt.pdf
phonology.ppt.pdf
 
phonology.ppt.pdf
phonology.ppt.pdfphonology.ppt.pdf
phonology.ppt.pdf
 
Phonetics.pptx
Phonetics.pptxPhonetics.pptx
Phonetics.pptx
 
Phonetics.pptx
Phonetics.pptxPhonetics.pptx
Phonetics.pptx
 
vowel sound
vowel soundvowel sound
vowel sound
 
Phonetics and phonology week 6
Phonetics and phonology week 6Phonetics and phonology week 6
Phonetics and phonology week 6
 
English Phonetics
English Phonetics English Phonetics
English Phonetics
 
PPT PHONETICS(Place of Articulation).pptx
PPT PHONETICS(Place of Articulation).pptxPPT PHONETICS(Place of Articulation).pptx
PPT PHONETICS(Place of Articulation).pptx
 
Consonant g1a
Consonant g1aConsonant g1a
Consonant g1a
 
Presentation (1)
Presentation (1) Presentation (1)
Presentation (1)
 
ELE 11 LESSON 2.pptx
ELE 11 LESSON 2.pptxELE 11 LESSON 2.pptx
ELE 11 LESSON 2.pptx
 
connected speech
connected speechconnected speech
connected speech
 
Phonetics
PhoneticsPhonetics
Phonetics
 

Último

ROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptxROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptxVanesaIglesias10
 
Man or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptx
Man or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptxMan or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptx
Man or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptxDhatriParmar
 
Transaction Management in Database Management System
Transaction Management in Database Management SystemTransaction Management in Database Management System
Transaction Management in Database Management SystemChristalin Nelson
 
Scientific Writing :Research Discourse
Scientific  Writing :Research  DiscourseScientific  Writing :Research  Discourse
Scientific Writing :Research DiscourseAnita GoswamiGiri
 
4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptx4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptxmary850239
 
Narcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfNarcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfPrerana Jadhav
 
Mental Health Awareness - a toolkit for supporting young minds
Mental Health Awareness - a toolkit for supporting young mindsMental Health Awareness - a toolkit for supporting young minds
Mental Health Awareness - a toolkit for supporting young mindsPooky Knightsmith
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptxmary850239
 
Oppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmOppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmStan Meyer
 
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...Nguyen Thanh Tu Collection
 
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...DhatriParmar
 
week 1 cookery 8 fourth - quarter .pptx
week 1 cookery 8  fourth  -  quarter .pptxweek 1 cookery 8  fourth  -  quarter .pptx
week 1 cookery 8 fourth - quarter .pptxJonalynLegaspi2
 
Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
Unraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptxUnraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptx
Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptxDhatriParmar
 
Concurrency Control in Database Management system
Concurrency Control in Database Management systemConcurrency Control in Database Management system
Concurrency Control in Database Management systemChristalin Nelson
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfVanessa Camilleri
 
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)lakshayb543
 
ESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnv
ESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnvESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnv
ESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnvRicaMaeCastro1
 

Último (20)

ROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptxROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptx
 
Man or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptx
Man or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptxMan or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptx
Man or Manufactured_ Redefining Humanity Through Biopunk Narratives.pptx
 
Transaction Management in Database Management System
Transaction Management in Database Management SystemTransaction Management in Database Management System
Transaction Management in Database Management System
 
Scientific Writing :Research Discourse
Scientific  Writing :Research  DiscourseScientific  Writing :Research  Discourse
Scientific Writing :Research Discourse
 
4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptx4.11.24 Mass Incarceration and the New Jim Crow.pptx
4.11.24 Mass Incarceration and the New Jim Crow.pptx
 
Narcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfNarcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdf
 
Mental Health Awareness - a toolkit for supporting young minds
Mental Health Awareness - a toolkit for supporting young mindsMental Health Awareness - a toolkit for supporting young minds
Mental Health Awareness - a toolkit for supporting young minds
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx
 
Oppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmOppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and Film
 
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
31 ĐỀ THI THỬ VÀO LỚP 10 - TIẾNG ANH - FORM MỚI 2025 - 40 CÂU HỎI - BÙI VĂN V...
 
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
Blowin' in the Wind of Caste_ Bob Dylan's Song as a Catalyst for Social Justi...
 
Paradigm shift in nursing research by RS MEHTA
Paradigm shift in nursing research by RS MEHTAParadigm shift in nursing research by RS MEHTA
Paradigm shift in nursing research by RS MEHTA
 
INCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptx
INCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptxINCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptx
INCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptx
 
week 1 cookery 8 fourth - quarter .pptx
week 1 cookery 8  fourth  -  quarter .pptxweek 1 cookery 8  fourth  -  quarter .pptx
week 1 cookery 8 fourth - quarter .pptx
 
Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
Unraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptxUnraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptx
Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
 
Concurrency Control in Database Management system
Concurrency Control in Database Management systemConcurrency Control in Database Management system
Concurrency Control in Database Management system
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdf
 
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
 
prashanth updated resume 2024 for Teaching Profession
prashanth updated resume 2024 for Teaching Professionprashanth updated resume 2024 for Teaching Profession
prashanth updated resume 2024 for Teaching Profession
 
ESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnv
ESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnvESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnv
ESP 4-EDITED.pdfmmcncncncmcmmnmnmncnmncmnnjvnnv
 

Phonology

  • 1. PHONOLOGY Nabaz N. Jabbar English Language Teaching Near East University 17th Nov 2011
  • 2. What is Phonology • The study of the structure and systematic patterns of sounds in human language.
  • 3. Three major units of phonological analysis:- 1. Segments: Individual speech sounds. 2. Syllables: units of linguistic structure that consists of a syllabic element and any segments associated with it. 3. Features: units of phonological structure that make up segments.
  • 4. Minimal Pairs • Minimal Pairs: A basic test for a sound's distinctiveness. It consists of two forms with distinct meaning that differ by only one segment found in the same position in each form. e.g. [f] and [v] in fat and vat
  • 5. SEGMENTS IN CONTRAST • Segments are said to contrast (or to be distinctive or be in opposition). e.g. The segment [s] and [z] contrast in the word sip and zip
  • 6. Vowels contrast in English • English vowels are distinctive, so they contrast. e.g. The difference between [ɪ] and [e] in [bit] and [bet]
  • 7. LANGUAGE-SPECIFIC CONTRAST • Sounds that are distinctive in one language will not necessarily be distinctive in another. e.g. In English there is crucial difference between these two vowels: [e] and [æ] • But in Turkish this difference in pronunciation is not distinctive. e.g. The word for 'I' is [Ben] or [Bæn]
  • 8. • Conversely, sounds that do not contrast in English such as long and short vowels, may be distinctive in another language, like Japanese and Finnish. • e.g. [tori] ‘bird’ [tori:] ‘shrine gate’ • e.g. [tuli] ‘fire’ [tu:li] ‘wind’
  • 9. Phonetically conditioned variation: • It occurs most often among phonetically similar segments and conditioned by the phonetic context in which the segment are found.
  • 10. COMPLEMENTARY DISTRIBUTION • Variants of a phoneme that never occur in the same phonetic environment*. e.g. voiced [l] in slip [slɪp] voiceless [l] in clap [klæp] *Environment is the phonetic context in which a sound occurs.
  • 11. Sounds in contrast • Phoneme: The phonological unit of speech that differentiates or extinguishes meaning. • Phone: Any speech sound in human language. • Allophones: Variants of a phoneme, usually in complementary distribution and Phonetically similar.
  • 12. Some other considerations • Some sounds do not contrast in initial position: e.g. [h] and [ŋ] in [həʊp] 'hope' and [ŋəʊp] doesn't exist. • Also they do not contrast in final position: e.g. [sɪŋ] 'sing' and [sɪh] doesn't exist
  • 13. Free Variation • When sounds do not contrast and can occur in identical phonetic environments and are phonetically similar. e.g. [p] in stop [stɒp!] , [stɒp ̚] and [stɒ?p]
  • 14. THE REALITY OF PHONEMES • Speakers of English often have a hard time hearing the phonetic difference between the voiced and voiceless allophones of /l/, because the difference is not contrastive, but it's easy to contrast between /l/ and /r/ as in lift and rift
  • 15. • But, speakers of other languages like Japanese sometimes find it difficult to distinguish between them, because in their language /l/ and /r/ are allophones of the same phoneme. e.g. collect & correct
  • 16. CLASSES AND GENERALIZATION IN PHONOLOGY • Liquid and glide phonemes have (at least) two allophones, one voiced and the other voiceless. • Liquids and glides have voiceless allophones after voiceless stops, and voiced allophones elsewhere. e.g. Liquid /r/ • voiced → green [gri:n] , voiceless → creep [kr̥i:p] Glide /w/ and /j/ • voiced → beauty [bju:tɪ] , voiceless → cute [kj̥u:t]
  • 17. English vowels and glides: Liaison (Linking): • British English involve linking where having two distinct vowel phonemes next to each other tends to be avoided, so one of the approximants /r/, /j/ or /w/ is inserted to link the vowels.
  • 18. • If the first vowel is not high, a linking r is used. e.g. Star [sta:] starring [sta:rɪŋ] star in [sta:r ɪn] • If the vowel is high, a glide is inserted between the vowels. e.g. See [si:], seeing [si:jɪŋ], see in [si: jɪn] Show [ʃəʊ], showing [ʃəʊwɪŋ], show it [ʃəʊ
  • 19. Intrusive r. • is used productively in present-day English even in contrasts, it's obvious in borrowed and foreign words. e.g. [emər ætkɪnz] 'Emma Atkins' [əkrɑ:r ən dækɑ:] 'Accra and Dakar'
  • 20. TENSE AND LAX VOWELS • Tense vowel: A vowel that is made with a placement of the tongue that result in relatively the greater vocal tract constriction. e.g. Heat and boat • Lax vowel: A vowel that is made with a placement of the tongue that result in relatively less vocal tract constriction. e.g. Hit and but *There's no possibility of contrast between tense and lax vowels.
  • 21. The distribution of tense & lax vowels • Closed stressed syllables: Any kind of vowel except schwa, i.e. one that ends in a consonant. e.g. Seek /i:/ • Open stressed syllables: Any tense vowels are allowed, i.e. ones that end in a vowel. e.g. Raw /ɔ:/ • Syllables closed by [ŋ]: Any lax vowels except [ə] e.g. Bunk /ʌ/
  • 22. LANGUAGE-SPECIFIC VARIATION IN ALLOPHONIC NASALIZATION • It's not unusual for nasal vowel allophones to occur near a nasal consonant, but the patterning may vary from language to language.
  • 23. o Vowels are nasal in Scots Gaelic when preceded or followed by a nasal consonant. ] 'about' n] 'secret‘ o In Malay, all vowels and glides following a nasal consonant and not separated from it by a non-nasal consonant are nasalized. e.g. [mãkan] 'eat' [rumãh] 'house'
  • 24. LANGUAGE-SPECIFIC VARIATION IN ALLOPHONIC DISTRIBUTION Phonemic contrast in one language may not prove to be a phonemic contrast in another.  In English, aspirated and unaspirated stops are allophonic without contrasting form. e.g. [pɪk] and [phɪk]  But in Khmer (Cambodian), unaspirated and aspirated voiceless stops contrast. e.g. [pɔ:ŋ] 'to wish' [phɔ:ŋ] 'also'.
  • 25. Defining the Syllable: • Syllable: A unit of linguistic structure that consists of a syllabic element and any segments that are associated with it.
  • 26. Four subsyllabic units of internal structure  Nucleus (N): A vocalic element that forms the core of a syllable. e.g. [æ] in Patrick  Coda (C): The elements that follow the nucleus in the same syllable. e.g. [nt] in Sprint  Rhyme (R): The nucleus and coda of a syllable. e.g. [u:] in Root  Onset (O): The longest sequence of consonants to the left of each nucleus. e.g. [sl] from [slɪm] in slim
  • 27. ONSET CONSTRAINTS PHONOTACTICS: • The set of constraints on how sequences of segments pattern. e.g. The Russion word vbrog [fbrɔk] pronounced as [fəbrɔk] or [prɔk] in English.
  • 28. SOME ENGLISH ONSETS: • There are syllable-initial consonant sequences contain a voiceless stop consonant. • e.g. [pl] in please • And word-initial three-consonant cluster, which the first is always s, the second is always voiceless stop and the third is either a liquid or a glide. • e.g. [spr] in spring
  • 29. Accidental and systematic gaps • Accidental gaps:Non-occuring but possible forms of a language. e.g. Blork • Systematic gaps: Gaps in the occuring syllable structure of a language that result from the exclution of certain sequences. e.g. pfordv
  • 30. Language-specific phonotactics  Some onset sequences can be found in many languages while some onset sequences are rarely if ever found. So, some onset sequences appear to exist as part of human linguistic capacity. e.g. pl as in play and lp as in help  Each language has it’s own set of restrictions on the phonological shapes of it’s syllable constituents. e.g. fsl as in fslux ‘aloud’ which is not found in English.
  • 31. Some further syllabification • Turkish language has different syllable structure constraints than English language. e.g. alt, alta and altta
  • 32. Syllabic phonology • Syllables are units of phonological analysis because they affect the distribution of allophonic features.  Aspiration  Ambisyllabicity  Vowels lengthen
  • 33. ASPIRATION IN ENGLISH • Articulation accompanied by the release of air, that is heard after the release of certain stops in English. e.g. the first sound of /tɒp/ • English voiceless stops are aspirated when initial in a stressed syllable.
  • 34. Ambisyllabicity o The simultaneous presence of a segment in two adjoining syllables. e.g. attack /əth k/
  • 35. PHONETIC LENGTH IN ENGLISH LANGUAGE • English vowels are phonetically somehow shorter than they would normally be, when they occur before voiceless consonants, before sonorant consonants and in word-final position e.g. Bad [bǣd] • Conversely, the vowels are relatively longer than they would normally be, when they occur before voiced non-sonorant consonants. e.g. Revise [rɪ.vaɪz]
  • 36. Syllables and stress in English • Penultimate: The syllable before the very last one in a word, i.e. next to the last syllable. • Antepenultimate: Stressed on the third syllable from the end of the word. So, English nouns are stressed on the penultimate syllable when it’s Heavy; otherwise, they are stressed on the antepenultimate. e.g. C binet
  • 37. The features of English 1. Major class features: • Consonantal [p b s z ʃ ʒ tʃ dʒ] • Syllabic [i: e ɑ: ɭ̩ r̩ m n] • Sonorant: only the singables: vowells, glides, liquids, and nasals.
  • 38. The features of English 2. Laryngeal features: • Voice: according to voiced and voiceless sounds. • Spread glottis: distinguishes unaspirated from aspirated consonants. • Constricted glottis: In English there's only the glottis stop [?]
  • 39. The features of English 3. Place features: • Labial: [p] [b] [f] [v] [w] • Round: Sounds that made with the lips rounded • Coronal: [t] [d] [θ] [ð] [s] [z] [tʃ] [dʒ] [n] [ɭ ] [r] • Anterior: [p] [b] [t] [d] [s] [z] [θ] [ð] • Strident: The noisy fricatives and affricates only. [s] [z] [ʃ] [ʒ] [tʃ] and [dʒ]
  • 40. The features of English 4. Dorsal features: • High: Sound made with the tongue raised. • Low: Vowels made with the tongue lowered. • Back: Any sound articulated behind the palatal region of the oral cavity. • Tense: Follows the tense and lax vowels. • Reduced: Only the schwa [ə]
  • 41. The features of English 5. Manner features: • Nasal: Any sound made with the velum lowered. • Continuant: Vowels, fricatives, glides and liquids. • Lateral: [ɭ ] • Delayed release: Only affricate sounds [tʃ] [dʒ]
  • 42. Thank You • My only reference was the book of:  Contemporary Linguistics o By William O’Grady Michael Dobrovolsky Francis Katamba