4. Object to Process
Autographic art
Artist’s work – finished objects like painting, sculpture
Artists have the direct control of material used
5. Object to Process
Cave Painting: Horse at Lascaux, France, c. 15,000-13,000 B.C.
6. Object to Process
Cave Painting: Wounded bison attacking a man at Lascaux,
France, c. 15,000-10,000 B.C.
7. Object to Process
Cave Painting: Bison at Altamira, Spain, c. 15,000-12,000 B.C.
8. Object to Process
David
Michelangelo
1501-1504
Marble Sculpture
Sistine Chapel Ceiling
Michelangelo
1508-1512
Painting
9. Object to Process
Girl With A Pearl
Johannes Vermeer Earring
1665
Painting
10. Object to Process
Starry Light Over the Rhone
Vincent Van Gogh
1665
Painting
11. Object to Process
Duchamp inspired diverse movements
from Pop to Conceptualism
“I was interested in ideas – not merely
in visual products,”
-from Theories of Modern Art: A Source Book by Artists
and Critics
12. Object to Process
Joseph Kosuth: “Actual works of art are little more than historical curiosities.”
-from The Oxford Dictionary of Art and Artists
13. Object to Process
Conceptual Art - applied to work de-emphasized or entirely eliminated a
perceptual encounter with unique objects in favour of an engagement with ideas.
Process Art - the means count for more than the ends. The artist sets a process in
motion and awaits the results.
Fluxus - was an avant-garde art movement that emerged in the late 1950s as a
group of artists who had become disenchanted with the elitist attitude they
perceived in the art world at the time.
21. Johannes Vermeer
The Milkmaid
Johannes Vermeer
c. 1658-1661
Oil on canvas
17 7/8 x 16 1/8 in.
22. Cafe Terrace at Night
Vincent Van Gogh
1888
Vincent Van Gogh
23. “Craft is remembering that art is seen, felt and
heard as well as understood, knowing that not
all ideas start with words, thinking with hands
as well as head.”
Mark Jones
Director, Victoria & Albert Museum (2001 - 2011)
“Contemporary craft is about making things.”
Rosey Greenlees,
Executive Director of Crafts Council in the UK
Web source: Victoria and Albert Museum
<available online: www.vam.ac.uk/content/articles/w/what-is-craft/>
24. Regardless of medium,
artists must demonstrate an understanding and
mastery of their will upon their chosen material
25. The Arts and
Crafts
Movement
between 1880 and
1910
led by William
Morris and John
Ruskin
William Morris
26. The crafted object never consider in isolation
Eva Hesse Studio work exhibition
48. In the 1960s artists in the U.S., Europe, and Latin America began experimenting
with art that emphasized ideas instead of a physical product. In 1967 artist Sol
LeWitt gave this new art a name in his essay “Paragraphs on Conceptual Art.”
He wrote, “The idea itself, even if it is not made visual, is as much of a work of
art as any finished product.” Conceptual artists used their work to question the
notion of what art is, and often rejected museums and galleries as defining
authorities. The work of Conceptual artists helped to put photographs, musical
scores, architectural drawings, and performance art on an equal footing with
painting and sculpture.
MOMA Learning.
<https://www.moma.org/learn/moma_learning/themes/conceptual-art>
49. “Realistic, naturalistic art had
dissembled the medium, using
art to conceal art; Modernism
used art to call attention to art.”
Clement Greenberg. Modernist
Painting. 1961.
55. Gallery (Context) as Subject
Mel Bochner.
Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed
as Art. A 1966 exhibition he curated for the School of Visual Arts Gallery in New York.
56. Collective Discourse as Subject
Fred Wilson. Mining the Museum. Exhibition at
Baltimore’s Maryland Historical Society in 1992.
57.
58.
59. Social Context as subject
Hans Haacke, Shapolsky et al. Manhattan Real Estate Holdings, a Real-Time. 1971.
60.
61. s
Hans Haacke, MOMA Poll.1970.
At 'Information', arguably the first conceptual art exhibition by a US museum (MOMA.)
63. Fluxus
- Active from the early 1960s to the
late 1970s
- The name Fluxus, taken from the
Latin for ‘flow’
64. George Maciunas(1931-1978)
Lithuanian-born American artist
"Purge the world of bourgeoisie sickness, "intellectual," professional and commercialized culture, purge
the world of dead art, imitation, artificial art, abstract art, illusionistic art, mathematical art, - PURGE THE
WORLD OF "EUROPANISM!" PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART, promote living art,
anti-art, promote NON ART REALITY to be fully grasped by all peoples, not only critics, dilettantes and
professionals."
- George Maciunas, from the Fluxus Manifesto
67. Nam June Paik
(1932-2006)
video artist
Electronic Superhighway
http://link.brightcove.com/services/player/bcpid950566900001?
bckey=AQ~~,AAAAAG6PY30~,pi5vFvB_srjYp5aiO9CarP3pmhhmv11f&bctid=821234899001
71. Yoko Ono
(1933- now )
- multimedia artist, singer, peace activist
Yoko Ono performances at Louisiana Museum in 2013
https://www.youtube.com/watch?v=-PZqi1oPXHk
73. Bibliography
• GOODMAN on the WORK of ART: AN ONTOLOGICAL OMISSION by RICHARD
SHUSTERMAN, Ben Gurion University of the Negev
• Art in Its Time: Theories and Practices of Modern Aesthetics by Paul Mattick London ;
New York : Routledge, 2003
• The work of art / Gérard Genette Ithaca, N.Y. : Cornell University Press, c1997-
• The annotated Mona Lisa : a crash course in art history from prehistoric to post-modern
/ Carol Strickland and John Boswell Kansas City : Andrews and McMeel,
c1992
• http://www.walkerart.org/
• http://www.theartstory.org/movement-fluxus.htm
• http://www.moma.org/collection/details.php?theme_id=10457
• http://plato.stanford.edu/entries/goodman-aesthetics/
• http://www.pakpark.blogspot.hk/