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Digital 
Service 
Experience 
Trends 
Jimmy 
Salermo 
17 
October 
2014
+ + 
Naviga&on 
& 
structure User 
journey Tone 
of 
voice 
Digital 
service 
experience
+ + 
Naviga&on 
& 
structure User 
journey Tone 
of 
voice 
Digital 
service 
experience
Navigation 
& 
Structure
Direction 
of 
current 
trends 
and 
best 
practices 
in 
digital 
service 
& 
website 
navigation 
structures 
The 
general 
trend 
in 
online 
service 
websites 
is 
the 
breaking 
down 
of 
the 
old 
Fered 
navigaFon 
structures 
in 
favour 
of 
a 
more 
fluid 
and 
transparent 
whole. 
The 
new 
dynamic 
way 
of 
approaching 
site 
structures 
allows 
for 
smoother, 
more 
varied 
and 
easily 
personalised 
user 
flows. 
Simple 
and 
intui&ve 
Fade-­‐out 
Ac&on-­‐oriented Modular 
and 
flexible 
Contextual 
and 
integrated
Navigation 
& 
Structure 
Action-­‐oriented 
Streamlining 
navigaFon 
flows 
using 
progressive 
disclosure 
to 
present 
the 
user 
with 
very 
simple 
opFons 
for 
quick 
decision 
making. 
An 
efficient 
way 
to 
do 
this 
is 
to 
focus 
on 
the 
user’s 
goal 
instead 
of 
hierarchical 
categorisaFon 
of 
available 
content. 
Ac&on-­‐oriented 
naviga&on 
Condensed 
to 
three 
choices, 
each 
asking 
and 
answering 
a 
single 
quesFon 
about 
the 
user’s 
needs. 
This 
cuts 
down 
on 
cluPer 
on 
the 
website 
and 
goes 
straight 
to 
the 
point 
-­‐ 
what 
do 
you 
want 
to 
achieve 
on 
this 
visit? 
Different 
scales 
of 
choice 
This 
approach 
is 
useful 
for 
bringing 
together 
parFes 
with 
mutual 
interests. 
In 
this 
example, 
your 
first 
choice 
is 
to 
select 
if 
you 
have 
a 
workspace 
for 
hire 
or 
if 
you 
are 
looking 
for 
one, 
bridging 
the 
gap 
between 
a 
service 
provider 
and 
its 
user 
and 
presenFng 
both 
sides 
of 
the 
coin 
equally 
and 
effecFvely.
Navigation 
& 
Structure 
Modular 
and 
flexible 
Organising 
site 
content 
in 
a 
modular 
way 
allows 
for 
flexible 
user 
flows 
and 
allows 
for 
a 
high 
level 
of 
customisaFon 
and 
personalisaFon. 
Modules 
can 
be 
displayed 
according 
to 
user 
behaviour, 
user 
selecFon 
or 
both. 
Modular 
content 
pods 
Brings 
the 
ability 
to 
display 
large 
amounts 
of 
varying 
content 
in 
a 
scannable, 
graphical 
way 
that 
easily 
scales 
between 
screen 
sizes. 
Filters 
A 
quick 
and 
easy 
way 
to 
sort 
through 
content 
by 
category, 
tags 
or 
other 
variables. 
Enhances 
the 
user’s 
ability 
to 
create 
their 
own 
user 
journey 
with 
minimal 
navigaFonal 
steps.
Navigation 
& 
Structure 
Simple 
and 
intuitive 
Using 
a 
linear 
narraFve, 
whether 
in 
a 
transparent 
or 
progressively 
disclosed 
navigaFon 
flow, 
grounds 
content 
or 
service 
process 
in 
a 
visual 
and 
raFonal 
way. 
Making 
navigaFon 
elements 
a 
part 
of 
the 
flow 
brings 
added 
guidance 
and 
cohesion 
to 
the 
user 
journey. 
Visual 
indica&on 
Using 
linear 
navigaFon 
within 
a 
site 
module 
provides 
a 
visual 
cue 
for 
the 
user 
to 
know 
where 
they 
are 
and 
how 
much 
more 
is 
available 
to 
them. 
Passive 
into 
ac&ve 
Displaying 
even 
staFc 
content 
in 
the 
context 
of 
a 
narraFve 
helps 
create 
a 
more 
dynamic 
experience 
and 
clarify 
user 
needs 
and 
service 
offerings 
by 
breaking 
it 
down 
into 
manageable 
chunks. 
Fully 
immersive 
user 
flow 
Here, 
opFons 
to 
conFnue 
are 
integrated 
into 
the 
journey 
and 
presented 
at 
the 
appropriate 
Fmes, 
giving 
the 
user 
a 
level 
of 
control 
over 
their 
experience 
but 
allowing 
the 
steps 
to 
be 
taken 
in 
the 
intended 
order. 
To 
enhance 
the 
simplicity 
of 
the 
navigaFon, 
all 
constant 
controls 
are 
integrated 
into 
the 
video 
progress 
bar 
which 
is 
invoked 
on 
mouseover.
Navigation 
& 
Structure 
Contextual 
and 
integrated 
Breaking 
out 
of 
a 
tradiFonal 
menu 
and 
link 
structure 
allows 
for 
more 
free-­‐form 
and 
intuiFve 
ways 
to 
navigate, 
enhancing 
the 
user’s 
experience 
of 
both 
the 
service 
and 
the 
process. 
Context 
based 
naviga&on 
CreaFve 
uses 
of 
contextual 
informaFon 
can 
make 
a 
navigaFon 
menu 
more 
interesFng 
and 
relevant. 
Eg. 
finding 
a 
watch 
based 
on 
what 
depth 
or 
alFtude 
it 
needs 
to 
work 
in. 
Direct 
access 
through 
content 
instead 
of 
mere 
links 
HighlighFng 
areas 
and 
linking 
through 
to 
further 
content 
directly 
from 
where 
you 
are 
simplifies 
and 
fades 
out 
the 
navigaFon 
process, 
so 
a 
user 
journey 
doesn’t 
get 
interrupted 
by 
the 
need 
to 
move 
your 
mouse 
to 
find 
a 
link. 
Translates 
well 
to 
touch 
screens.
Navigation 
& 
Structure 
Fade-­‐out 
A 
major 
development 
with 
the 
increased 
use 
of 
handheld 
screens 
has 
been 
the 
drasFc 
removal 
of 
elements 
from 
view 
when 
not 
necessary, 
pung 
the 
content 
at 
the 
forefront. 
As 
a 
welcome 
side 
effect, 
users 
are 
learning 
to 
expect 
dynamic 
quality 
content. 
Space 
for 
what 
counts 
Using 
slide 
out 
menus 
frees 
up 
visual 
real 
estate 
while 
sFll 
allowing 
the 
user 
instant 
access 
to 
navigaFon 
elements. 
Full 
menu 
capabili&es 
On 
click 
or 
mouseover, 
full 
navigaFon 
tools 
become 
available 
without 
interrupFng 
any 
acFve 
media 
currently 
on 
screen. 
Quick 
access 
to 
important 
controls 
Maintaining 
low 
threshold 
calls 
to 
acFon 
with 
persistently 
available 
login 
forms, 
booking 
details 
and 
other 
important 
controls. 
Easy 
access 
Without 
clogging 
up 
the 
layout, 
menus 
can 
be 
hidden 
unFl 
called.
Navigation 
& 
Structure 
Yeah 
but 
no 
but… 
what 
about 
really 
content-­‐heavy 
websites? 
Behold 
the 
Megamenu 
Large 
amounts 
of 
subpages 
are 
no 
longer 
hidden 
under 
several 
steps 
of 
navigaFon. 
One 
click 
on 
a 
top 
level 
category 
can 
reveal 
all 
subcategories 
and 
their 
child 
pages 
in 
one 
view. 
This 
single 
view 
roadmap 
can 
then 
be 
integrated 
into 
many 
of 
the 
methods 
just 
covered. 
Visual 
cues 
welcome 
To 
further 
enhance 
scannability 
of 
page 
lisFngs, 
icons, 
graphics 
and 
different 
font 
colours 
and 
sizes 
are 
oaen 
used.
User 
Journey
Direction 
of 
current 
trends 
and 
best 
practices 
in 
digital 
service 
& 
website 
user 
journeys 
As 
with 
navigaFon 
and 
site 
structure, 
digital 
user 
journeys 
are 
breaking 
free 
of 
rigid, 
predetermined 
flows 
and 
allow 
for 
a 
quicker, 
effortless 
goal-­‐ 
focused 
experience, 
stripping 
away 
anything 
unnecessary 
for 
the 
end 
user 
for 
enhanced 
immediacy 
of 
service. 
Low 
threshold 
Personalised 
Fast 
Goal-­‐oriented 
Simplified 
and 
transparent
User 
Journeys 
Low 
threshold 
IndicaFng 
a 
clear 
and 
effortless 
first 
step 
into 
the 
purchase 
or 
sign 
up 
process 
lowers 
the 
threshold 
for 
users 
to 
input 
their 
informaFon 
and 
eventually 
become 
customers. 
Keep 
it 
simple 
Only 
asking 
for 
what 
is 
essenFal 
to 
get 
started 
makes 
the 
process 
approachable 
and 
users 
more 
likely 
to 
enter 
the 
flow. 
Keep 
them 
with 
you 
Once 
the 
user 
is 
in, 
keeping 
the 
journey 
simple 
and 
well 
structured 
and 
leng 
the 
user 
know 
where 
they 
are 
within 
it, 
and 
what 
opFons 
are 
available 
to 
them, 
helps 
avoid 
dropping 
out 
mid-­‐process.
User 
Journeys 
Personified 
User 
flow 
gateways, 
IP 
tracking, 
usage 
staFsFcs 
and 
direct 
user 
selecFon 
can 
help 
tailor 
both 
content 
and 
methods 
of 
delivery 
to 
a 
specific 
user. 
Selectors, 
forms 
and 
calculators 
Leng 
a 
user 
input 
variable 
data 
to 
receive 
a 
calculated 
recommendaFon 
for 
content 
is 
especially 
useful 
in 
financial 
maPers. 
First 
name 
basis 
Even 
something 
as 
simple 
as 
personalising 
content 
with 
the 
user’s 
first 
name 
creates 
rapport 
and 
a 
sense 
of 
belonging. 
User 
accounts 
For 
long 
term, 
in 
depth 
personificaFon, 
user 
accounts 
are 
a 
strong 
tool. 
Make 
signing 
up 
and 
logging 
in 
quick, 
simple 
and 
worth 
their 
while.
User 
Journeys 
Goal-­‐oriented 
Using 
tasks 
and 
goals 
as 
your 
starFng 
point 
allows 
for 
clearer 
user 
journeys, 
reducing 
the 
need 
for 
the 
user 
to 
know 
or 
find 
out 
what 
category 
their 
visit 
falls 
under 
and 
providing 
them 
an 
effortless 
first 
step 
into 
dialogue 
with 
the 
service. 
Crystallised 
user 
journey 
gateways 
Everything 
the 
user 
may 
want 
or 
need 
from 
the 
site 
can 
be 
assigned 
into 
one 
of 
three 
or 
four 
categories. 
As 
with 
progressive 
disclosure, 
the 
user 
needs 
only 
make 
a 
single 
flash 
judgment 
on 
how 
to 
proceed 
with 
their 
visit.
User 
Journeys 
Fast 
Regardless 
of 
connecFon 
speed, 
users 
have 
grown 
to 
expect 
speed 
and 
efficiency 
from 
their 
online 
services. 
This 
includes 
Fme 
needed 
to 
decipher 
site 
architecture, 
steps 
required 
to 
reach 
desired 
state 
and 
the 
ability 
to 
quickly 
scan 
content. 
Overlays 
Pinterest 
uses 
overlays 
instead 
of 
page 
transiFons, 
allowing 
you 
to 
quickly 
view 
and 
interact 
with 
mulFple 
items 
without 
leaving 
your 
Pinterest 
feed. 
Tabs 
and 
accordions 
Tabbed 
and 
collapsible 
content 
is 
quicker 
and 
easier 
to 
browse 
than 
separate 
pages, 
and 
allow 
for 
efficient 
grouping 
of 
related 
content 
without 
affecFng 
page 
length 
or 
scannability. 
Flip 
card 
modules 
A 
variaFon 
on 
an 
overlay, 
modules 
can 
be 
flipped 
over 
to 
reveal 
more 
informaFon.
User 
Journeys 
Simplified 
and 
transparent 
A 
user 
flow 
stripped 
down 
to 
the 
essenFal 
elements 
and 
uFlising 
progressive 
disclosure 
and 
inline 
controls 
makes 
for 
a 
simple, 
understandable 
and 
low 
effort 
process 
that 
almost 
fades 
into 
the 
background. 
In 
situ 
With 
current 
technology, 
there 
is 
no 
need 
to 
move 
between 
pages 
to 
perform 
tasks. 
In 
this 
example, 
clicking 
‘add 
to 
cart’ 
automaFcally 
expands 
the 
shopping 
cart 
from 
the 
top 
nav, 
revealing 
opFons 
to 
change 
quanFty, 
remove 
item 
or 
checkout. 
No 
interroga&on 
Asking 
only 
what’s 
essenFal 
keeps 
user 
effort 
level 
minimal, 
encouraging 
more 
completed 
tasks. 
In 
this 
example, 
this 
is 
further 
simplified 
by 
asking 
if 
the 
user 
already 
has 
an 
account, 
then 
only 
revealing 
the 
opFon 
relevant 
to 
them 
(in 
this 
case, 
a 
sign 
up 
form). 
Note 
that 
at 
account 
creaFon 
stage, 
only 
a 
few 
pieces 
of 
informaFon 
are 
required. 
If 
the 
user 
is 
comfortable, 
they 
will 
conFnue 
or 
return 
to 
add 
more.
User 
Journeys 
But 
what 
about 
services 
and 
products 
with 
much 
more 
variables? 
Same 
rules, 
different 
terms 
These 
services 
especially 
need 
clarity. 
SelecFng 
which 
variables 
to 
bring 
up 
and 
which 
to 
knock 
back 
is 
key. 
Less 
AND 
more 
Less 
non-­‐vital 
informaFon 
upfront. 
More 
ways 
to 
search, 
filter 
and 
interact 
with 
the 
vast 
array 
of 
products 
effecFvely.
Tone 
of 
Voice
Direction 
of 
current 
trends 
and 
best 
practices 
in 
digital 
service 
& 
website 
tone 
of 
voice 
The 
current 
trend 
in 
both 
wriPen 
and 
visual 
language 
is 
using 
a 
direct, 
dynamic 
and 
personal 
tone, 
eliciFng 
an 
emoFonal 
response 
and 
creaFng 
the 
feeling 
of 
receiving 
personal 
service 
within 
a 
self-­‐service 
flow. 
Copy 
and 
microcopy 
can 
also 
clarify 
the 
goals 
and 
sales 
process 
to 
allow 
for 
quick 
yet 
informed 
decisions. 
Personal 
and 
user-­‐focused 
Understandable 
Clear 
and 
direct 
Visual 
Consistent
Tone 
of 
voice 
Personal 
and 
user-­‐focused 
The 
days 
of 
online 
brochures 
are 
over. 
The 
user 
doesn’t 
care 
what 
you 
do, 
they 
care 
what 
you 
can 
do 
for 
them. 
It’s 
all 
about 
the 
user 
Speaking 
directly 
to 
the 
user 
is 
efficient 
in 
selling 
services, 
creaFng 
a 
sense 
that 
you 
are 
offering 
them 
something 
that 
is 
relevant 
to 
their 
needs 
and 
desires. 
Make 
it 
a 
dialogue 
Asking 
direct 
quesFons 
invites 
and 
encourages 
user 
response. 
Users 
listen 
to 
other 
users 
Many 
online 
stores 
and 
services 
rely 
on 
user 
reviews 
to 
prove 
the 
value 
of 
their 
product. 
TesFmonials 
and 
client 
stories 
are 
a 
great 
way 
to 
bring 
the 
human 
element 
in.
Tone 
of 
voice 
Clear 
and 
direct 
Using 
language 
that 
is 
direct, 
brief 
and 
answers 
user 
quesFons 
about 
the 
essence 
of 
the 
service 
and 
how 
to 
start 
using 
it 
creates 
strong, 
low 
threshold 
calls 
to 
acFon. 
What 
does 
it 
do? 
CommunicaFng 
clearly 
and 
briefly 
the 
value 
that 
a 
service 
can 
offer 
is 
the 
new 
‘elevator 
speech’ 
-­‐ 
but 
with 
less 
Fme 
to 
grab 
aPenFon 
and 
make 
an 
impact. 
A 
single 
sentence 
with 
a 
potenFal 
strap 
line 
is 
becoming 
the 
norm. 
How 
do 
I 
get 
it? 
The 
choice 
of 
copy 
down 
to 
the 
microcopy 
on 
buPons 
and 
form 
labels 
are 
used 
to 
invite 
acFon. 
DescripFve, 
goal-­‐oriented 
terms 
like 
“start 
now” 
are 
becoming 
more 
popular 
than 
generic 
calls 
to 
acFon 
such 
as 
“sign 
up”. 
Why 
should 
I 
get 
it? 
Explaining 
in 
more 
detail 
but 
remaining 
clear 
and 
concise, 
leng 
the 
user 
know 
what’s 
in 
it 
for 
them. 
This 
is 
especially 
important 
with 
more 
abstract 
services 
where 
the 
value 
will 
not 
be 
realised 
for 
some 
Fme 
to 
come 
(such 
as 
pensions).
Tone 
of 
voice 
Understandable 
ConFnuing 
from 
clarity, 
industry 
jargon 
is 
sinking 
(as 
it 
should). 
Using 
down 
to 
earth 
language 
to 
explain 
the 
purpose 
of 
a 
service 
as 
opposed 
to 
the 
provider 
has 
become 
prevalent 
pracFce. 
Short 
and 
sweet 
Keeping 
introductory 
and 
explanatory 
paragraphs 
short 
helps 
their 
readability, 
leading 
to 
an 
easier 
to 
digest 
user 
experience. 
Say 
it 
simply. 
Then 
say 
it 
simpler. 
‘LocaFons’ 
is 
good. 
‘Where 
we 
work’ 
is 
bePer, 
because 
it 
makes 
the 
topic 
an 
acFve 
one 
(we 
work, 
and 
here 
is 
where) 
instead 
of 
a 
passive 
one 
(lisFng 
locaFons). 
What 
does 
the 
service 
ACTUALLY 
do? 
‘Providing 
soluFons’ 
is 
abstract, 
‘Building 
businesses’ 
is 
more 
tangible. 
The 
focus 
is 
not 
on 
what 
the 
service 
does, 
it’s 
on 
what 
the 
user 
can 
get 
out 
of 
it 
-­‐ 
a 
subtle 
but 
weighty 
difference.
Tone 
of 
voice 
Visual 
Visual 
communicaFon 
decisions 
form 
a 
large 
part 
of 
a 
service’s 
tone 
of 
voice, 
from 
colour 
and 
font 
choices 
to 
level 
of 
simplicity 
-­‐ 
or 
complexity 
-­‐ 
in 
displaying 
informaFon 
and 
changeable 
data. 
Graphical 
representa&on 
of 
data 
Numbers 
and 
abstract 
data 
can 
be 
parFcularly 
difficult 
to 
absorb, 
so 
creaFng 
graphs 
and 
visuals 
is 
used 
as 
a 
succinct 
way 
to 
explain. 
Not 
just 
for 
complex 
data 
For 
visual 
interest 
and 
approachability, 
simpler 
and 
more 
staFc 
content 
is 
oaen 
conveyed 
visually. 
This 
also 
allows 
for 
a 
wider 
range 
of 
prioriFsaFon 
between 
content 
and 
opFons 
displayed 
on 
the 
screen 
at 
the 
same 
Fme.
Tone 
of 
voice 
Consistent 
Both 
wriPen 
and 
visual 
communicaFon 
should 
be 
consistent 
across 
the 
enFre 
user 
journey. 
CreaFng 
a 
set 
of 
guidelines 
and 
sFcking 
to 
them 
removes 
the 
need 
for 
the 
user 
to 
re-­‐learn 
how 
to 
read 
and 
interact 
at 
each 
stage. 
Subdomains 
and 
campaign 
microsites 
Subdomains 
and 
microsites 
that 
are 
an 
addiFon 
or 
enhancement 
to 
the 
user 
journey, 
or 
an 
enFrely 
separate 
user 
journey, 
should 
be 
visually 
disFnguishable 
from 
the 
core 
journey. 
However, 
certain 
graphical 
and 
tonal 
rules 
should 
remain 
to 
reassure 
the 
user 
that 
they 
have 
not 
got 
lost. 
Consistent 
choice 
of 
elements 
Colour, 
font 
and 
sentence 
paPerns 
should 
form 
a 
cohesive 
whole. 
Using 
a 
limited 
colour 
palePe 
or 
a 
specific 
way 
of 
speaking 
helps 
keep 
everything 
together.
Tone 
of 
voice 
But 
this 
is 
serious 
business! 
That’s 
why! 
! 
Many 
important 
topics, 
such 
as 
insurance, 
pensions 
and 
workplace 
performance 
can 
have 
a 
negaFve 
or 
even 
uncomfortable 
air 
to 
them, 
with 
no 
clue 
where 
to 
start. 
! 
Same 
goes 
for 
sick 
kids 
and 
lack 
of 
clean 
water. 
This 
is 
why 
the 
chariFes 
aiming 
to 
raise 
awareness 
and 
collect 
donaFons 
use 
fun, 
interesFng 
and 
easily 
digesFble 
ways 
to 
do 
their 
thing.
Mobile 
Experience
Mobile 
Experience The 
amount 
of 
smartphone 
and 
tablet 
users 
has 
increased 
dramaFcally, 
and 
most 
service 
providers 
are 
switching 
to 
responsive, 
fluid 
layouts, 
or 
alternaFvely 
creaFng 
a 
standalone 
app 
for 
more 
control 
over 
the 
desired 
user 
journey. 
Bespoke 
mobile 
app 
Responsive/adap&ve 
websites
Kiitos! 
Thanks!

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Digital service experience trends

  • 1. Digital Service Experience Trends Jimmy Salermo 17 October 2014
  • 2. + + Naviga&on & structure User journey Tone of voice Digital service experience
  • 3. + + Naviga&on & structure User journey Tone of voice Digital service experience
  • 5. Direction of current trends and best practices in digital service & website navigation structures The general trend in online service websites is the breaking down of the old Fered navigaFon structures in favour of a more fluid and transparent whole. The new dynamic way of approaching site structures allows for smoother, more varied and easily personalised user flows. Simple and intui&ve Fade-­‐out Ac&on-­‐oriented Modular and flexible Contextual and integrated
  • 6. Navigation & Structure Action-­‐oriented Streamlining navigaFon flows using progressive disclosure to present the user with very simple opFons for quick decision making. An efficient way to do this is to focus on the user’s goal instead of hierarchical categorisaFon of available content. Ac&on-­‐oriented naviga&on Condensed to three choices, each asking and answering a single quesFon about the user’s needs. This cuts down on cluPer on the website and goes straight to the point -­‐ what do you want to achieve on this visit? Different scales of choice This approach is useful for bringing together parFes with mutual interests. In this example, your first choice is to select if you have a workspace for hire or if you are looking for one, bridging the gap between a service provider and its user and presenFng both sides of the coin equally and effecFvely.
  • 7. Navigation & Structure Modular and flexible Organising site content in a modular way allows for flexible user flows and allows for a high level of customisaFon and personalisaFon. Modules can be displayed according to user behaviour, user selecFon or both. Modular content pods Brings the ability to display large amounts of varying content in a scannable, graphical way that easily scales between screen sizes. Filters A quick and easy way to sort through content by category, tags or other variables. Enhances the user’s ability to create their own user journey with minimal navigaFonal steps.
  • 8. Navigation & Structure Simple and intuitive Using a linear narraFve, whether in a transparent or progressively disclosed navigaFon flow, grounds content or service process in a visual and raFonal way. Making navigaFon elements a part of the flow brings added guidance and cohesion to the user journey. Visual indica&on Using linear navigaFon within a site module provides a visual cue for the user to know where they are and how much more is available to them. Passive into ac&ve Displaying even staFc content in the context of a narraFve helps create a more dynamic experience and clarify user needs and service offerings by breaking it down into manageable chunks. Fully immersive user flow Here, opFons to conFnue are integrated into the journey and presented at the appropriate Fmes, giving the user a level of control over their experience but allowing the steps to be taken in the intended order. To enhance the simplicity of the navigaFon, all constant controls are integrated into the video progress bar which is invoked on mouseover.
  • 9. Navigation & Structure Contextual and integrated Breaking out of a tradiFonal menu and link structure allows for more free-­‐form and intuiFve ways to navigate, enhancing the user’s experience of both the service and the process. Context based naviga&on CreaFve uses of contextual informaFon can make a navigaFon menu more interesFng and relevant. Eg. finding a watch based on what depth or alFtude it needs to work in. Direct access through content instead of mere links HighlighFng areas and linking through to further content directly from where you are simplifies and fades out the navigaFon process, so a user journey doesn’t get interrupted by the need to move your mouse to find a link. Translates well to touch screens.
  • 10. Navigation & Structure Fade-­‐out A major development with the increased use of handheld screens has been the drasFc removal of elements from view when not necessary, pung the content at the forefront. As a welcome side effect, users are learning to expect dynamic quality content. Space for what counts Using slide out menus frees up visual real estate while sFll allowing the user instant access to navigaFon elements. Full menu capabili&es On click or mouseover, full navigaFon tools become available without interrupFng any acFve media currently on screen. Quick access to important controls Maintaining low threshold calls to acFon with persistently available login forms, booking details and other important controls. Easy access Without clogging up the layout, menus can be hidden unFl called.
  • 11. Navigation & Structure Yeah but no but… what about really content-­‐heavy websites? Behold the Megamenu Large amounts of subpages are no longer hidden under several steps of navigaFon. One click on a top level category can reveal all subcategories and their child pages in one view. This single view roadmap can then be integrated into many of the methods just covered. Visual cues welcome To further enhance scannability of page lisFngs, icons, graphics and different font colours and sizes are oaen used.
  • 13. Direction of current trends and best practices in digital service & website user journeys As with navigaFon and site structure, digital user journeys are breaking free of rigid, predetermined flows and allow for a quicker, effortless goal-­‐ focused experience, stripping away anything unnecessary for the end user for enhanced immediacy of service. Low threshold Personalised Fast Goal-­‐oriented Simplified and transparent
  • 14. User Journeys Low threshold IndicaFng a clear and effortless first step into the purchase or sign up process lowers the threshold for users to input their informaFon and eventually become customers. Keep it simple Only asking for what is essenFal to get started makes the process approachable and users more likely to enter the flow. Keep them with you Once the user is in, keeping the journey simple and well structured and leng the user know where they are within it, and what opFons are available to them, helps avoid dropping out mid-­‐process.
  • 15. User Journeys Personified User flow gateways, IP tracking, usage staFsFcs and direct user selecFon can help tailor both content and methods of delivery to a specific user. Selectors, forms and calculators Leng a user input variable data to receive a calculated recommendaFon for content is especially useful in financial maPers. First name basis Even something as simple as personalising content with the user’s first name creates rapport and a sense of belonging. User accounts For long term, in depth personificaFon, user accounts are a strong tool. Make signing up and logging in quick, simple and worth their while.
  • 16. User Journeys Goal-­‐oriented Using tasks and goals as your starFng point allows for clearer user journeys, reducing the need for the user to know or find out what category their visit falls under and providing them an effortless first step into dialogue with the service. Crystallised user journey gateways Everything the user may want or need from the site can be assigned into one of three or four categories. As with progressive disclosure, the user needs only make a single flash judgment on how to proceed with their visit.
  • 17. User Journeys Fast Regardless of connecFon speed, users have grown to expect speed and efficiency from their online services. This includes Fme needed to decipher site architecture, steps required to reach desired state and the ability to quickly scan content. Overlays Pinterest uses overlays instead of page transiFons, allowing you to quickly view and interact with mulFple items without leaving your Pinterest feed. Tabs and accordions Tabbed and collapsible content is quicker and easier to browse than separate pages, and allow for efficient grouping of related content without affecFng page length or scannability. Flip card modules A variaFon on an overlay, modules can be flipped over to reveal more informaFon.
  • 18. User Journeys Simplified and transparent A user flow stripped down to the essenFal elements and uFlising progressive disclosure and inline controls makes for a simple, understandable and low effort process that almost fades into the background. In situ With current technology, there is no need to move between pages to perform tasks. In this example, clicking ‘add to cart’ automaFcally expands the shopping cart from the top nav, revealing opFons to change quanFty, remove item or checkout. No interroga&on Asking only what’s essenFal keeps user effort level minimal, encouraging more completed tasks. In this example, this is further simplified by asking if the user already has an account, then only revealing the opFon relevant to them (in this case, a sign up form). Note that at account creaFon stage, only a few pieces of informaFon are required. If the user is comfortable, they will conFnue or return to add more.
  • 19. User Journeys But what about services and products with much more variables? Same rules, different terms These services especially need clarity. SelecFng which variables to bring up and which to knock back is key. Less AND more Less non-­‐vital informaFon upfront. More ways to search, filter and interact with the vast array of products effecFvely.
  • 21. Direction of current trends and best practices in digital service & website tone of voice The current trend in both wriPen and visual language is using a direct, dynamic and personal tone, eliciFng an emoFonal response and creaFng the feeling of receiving personal service within a self-­‐service flow. Copy and microcopy can also clarify the goals and sales process to allow for quick yet informed decisions. Personal and user-­‐focused Understandable Clear and direct Visual Consistent
  • 22. Tone of voice Personal and user-­‐focused The days of online brochures are over. The user doesn’t care what you do, they care what you can do for them. It’s all about the user Speaking directly to the user is efficient in selling services, creaFng a sense that you are offering them something that is relevant to their needs and desires. Make it a dialogue Asking direct quesFons invites and encourages user response. Users listen to other users Many online stores and services rely on user reviews to prove the value of their product. TesFmonials and client stories are a great way to bring the human element in.
  • 23. Tone of voice Clear and direct Using language that is direct, brief and answers user quesFons about the essence of the service and how to start using it creates strong, low threshold calls to acFon. What does it do? CommunicaFng clearly and briefly the value that a service can offer is the new ‘elevator speech’ -­‐ but with less Fme to grab aPenFon and make an impact. A single sentence with a potenFal strap line is becoming the norm. How do I get it? The choice of copy down to the microcopy on buPons and form labels are used to invite acFon. DescripFve, goal-­‐oriented terms like “start now” are becoming more popular than generic calls to acFon such as “sign up”. Why should I get it? Explaining in more detail but remaining clear and concise, leng the user know what’s in it for them. This is especially important with more abstract services where the value will not be realised for some Fme to come (such as pensions).
  • 24. Tone of voice Understandable ConFnuing from clarity, industry jargon is sinking (as it should). Using down to earth language to explain the purpose of a service as opposed to the provider has become prevalent pracFce. Short and sweet Keeping introductory and explanatory paragraphs short helps their readability, leading to an easier to digest user experience. Say it simply. Then say it simpler. ‘LocaFons’ is good. ‘Where we work’ is bePer, because it makes the topic an acFve one (we work, and here is where) instead of a passive one (lisFng locaFons). What does the service ACTUALLY do? ‘Providing soluFons’ is abstract, ‘Building businesses’ is more tangible. The focus is not on what the service does, it’s on what the user can get out of it -­‐ a subtle but weighty difference.
  • 25. Tone of voice Visual Visual communicaFon decisions form a large part of a service’s tone of voice, from colour and font choices to level of simplicity -­‐ or complexity -­‐ in displaying informaFon and changeable data. Graphical representa&on of data Numbers and abstract data can be parFcularly difficult to absorb, so creaFng graphs and visuals is used as a succinct way to explain. Not just for complex data For visual interest and approachability, simpler and more staFc content is oaen conveyed visually. This also allows for a wider range of prioriFsaFon between content and opFons displayed on the screen at the same Fme.
  • 26. Tone of voice Consistent Both wriPen and visual communicaFon should be consistent across the enFre user journey. CreaFng a set of guidelines and sFcking to them removes the need for the user to re-­‐learn how to read and interact at each stage. Subdomains and campaign microsites Subdomains and microsites that are an addiFon or enhancement to the user journey, or an enFrely separate user journey, should be visually disFnguishable from the core journey. However, certain graphical and tonal rules should remain to reassure the user that they have not got lost. Consistent choice of elements Colour, font and sentence paPerns should form a cohesive whole. Using a limited colour palePe or a specific way of speaking helps keep everything together.
  • 27. Tone of voice But this is serious business! That’s why! ! Many important topics, such as insurance, pensions and workplace performance can have a negaFve or even uncomfortable air to them, with no clue where to start. ! Same goes for sick kids and lack of clean water. This is why the chariFes aiming to raise awareness and collect donaFons use fun, interesFng and easily digesFble ways to do their thing.
  • 29. Mobile Experience The amount of smartphone and tablet users has increased dramaFcally, and most service providers are switching to responsive, fluid layouts, or alternaFvely creaFng a standalone app for more control over the desired user journey. Bespoke mobile app Responsive/adap&ve websites