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Camera Angles, Shots, Movement and Positions Guide
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A presentation of these different aspects, their definitions and picture examples.
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Camera Angles, Shots, Movement and Positions Guide
1.
Camera Angles, Shots, Movement
and Positions. Created by Hannah Scholefield
2.
Establishing Shot Establishes the
context for a scene: showing where and when the film is set.
3.
Low Angled Shot A
shot of an object from below looking up. Used to increase the height of an object, making it seem powerful and threatening.
4.
High Angled Shot A
shot of an object from above looking down. Used to make an object seem smaller and/or vulnerable.
5.
Close-up A shot of
a part of the body with a little background.
6.
Medium Close-up A shot
of a person from the mid-chest to the top of the head.
7.
Extreme Close-up A shot
magnifying a part of the body (e.g. the eyes) showing no background.
8.
Long Shot A shot
of a object/person from a distance, showing the whole of their body from head to toe.
9.
Medium Long Shot A
shot of a person from the waist up.
10.
Two/Three Shot A shot
including two or three people
11.
Aerial Shot A shot
taken from a birds eye view, establishing a setting.
12.
Point Of View A
shot of what the subject can see.
13.
Panning A movement that
scans a scene horizontally.
14.
Tilting A movement that
scans a scene vertically.
15.
Tracking A shot taken
by a person following the subject with a camera
16.
Dollying Involves a track
being laid on set for the camera to follow/move on.
17.
Zoom in/out A shot
of the subject where the camera appears to move closer/further away from it.
18.
Hand Held Shot A
shot taken by a hand held camera. This is used to make the viewer feel like they are in the scene.
19.
Focus Pull A shot
that maintains image sharpness on the subject being filmed.
20.
Canted Angle A shot
used to suggest point of view shots (i.e. When the camera becomes the eyes of one particular character, seeing what they see)
21.
Rule of 3rds A
concept in video/film production in which the frame is divided into nine imaginary sections.
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